Statement

My work engages with fragile image-making processes shaped by time, water, and gesture.
I am interested in how images shift over time, and in the uncertainty that remains.

Working with Polaroid transfers, cyanotypes, and surfaces such as paper and glass, I allow the image to transform rather than remain fixed.
Small interventions respond to what appears, fades, or resists.

The work unfolds through attention and care, questioning the reliability of memory and the way images are altered, softened, or reshaped by time.
Rather than preserving moments, I work with what remains.